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	<title>Anti- &#187; Kathleen Rooney Poetry</title>
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	<description>An online journal of poetry</description>
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		<title>Midwestern Groom: Dream no. 2</title>
		<link>http://anti-poetry.com/rooneyka1/</link>
		<comments>http://anti-poetry.com/rooneyka1/#comments</comments>
		<pubDate>Fri, 16 May 2008 00:36:03 +0000</pubDate>
		<dc:creator>Steve</dc:creator>
				<category><![CDATA[Kathleen Rooney Poetry]]></category>
		<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[The groom thought it was July, but
here they come, wings thumping 
in veiny drumbeats. Guests on the lawn
cluster like pool balls on baize, stare up
in amazement as the mayflies spawn.
Their gazes? Vertical. The groom&#8217;s? 
Cross-ways, horizontal toward his bride.
Mayflies descend upon her. Tatterdemalion, 
she wears them like a gown. He expects her
to frown, to shout, [...]]]></description>
			<content:encoded><![CDATA[<p>The groom thought it was July, but<br />
here they come, wings thumping </p>
<p>in veiny drumbeats. Guests on the lawn<br />
cluster like pool balls on baize, stare up</p>
<p>in amazement as the mayflies spawn.<br />
Their gazes? Vertical. The groom&#8217;s? </p>
<p>Cross-ways, horizontal toward his bride.<br />
Mayflies descend upon her. Tatterdemalion, </p>
<p>she wears them like a gown. He expects her<br />
to frown, to shout, <em>Get them off me!</em></p>
<p>like when she begged him to slay bugs<br />
in the apartment they shared, fornicating </p>
<p>there until this very day. Instead, she appears<br />
to allay her own fears: <em>Say, did you know </p>
<p>the sole function of the adult is reproduction?<br />
Their mouths are vestigial. Their guts filled </p>
<p>with air. Mayflies have no need for butts!</em><br />
The groom wants to shout back, but </p>
<p>his own mouth won&#8217;t move. <em>Mayflies<br />
in cold streams feed bass &#038; trout</em>, he wants</p>
<p>to say. <em>That, my dear, is why fisherman<br />
tie flies to resemble them</em>. Some prankster </p>
<p>ties flies like little winged grooms &#038; waves<br />
them before the bridesmaids. Some get hooked. </p>
<p>Some get away. The mayflies carry his bride<br />
astray, above woods, into twilight already </p>
<p>effervescent with stars. The groom knows<br />
in his heart they won&#8217;t get far. The mayflies </p>
<p>will die, high over the trees—make the short,<br />
R&#8217;ed drop from copse to corpse, sour in its stop, </p>
<p>sharp in its permanence, but the fall of his bride<br />
will not be hard. She will make her way</p>
<p>back to the yard. The groom will take her<br />
to the lake for their honeymoon, to see mayfly </p>
<p>bodies clog the cooling intakes of the nuclear reactor.<br />
They will sing songs above the moonlit water.</p>
<p>The refrain will be plain, bugless, reassuring:<br />
<em>The reception was a disaster. The marriage will be better.</em></p>
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		<title>Midwestern Wedding: Dream no. 6</title>
		<link>http://anti-poetry.com/rooneyka2/</link>
		<comments>http://anti-poetry.com/rooneyka2/#comments</comments>
		<pubDate>Fri, 16 May 2008 00:32:49 +0000</pubDate>
		<dc:creator>Steve</dc:creator>
				<category><![CDATA[Kathleen Rooney Poetry]]></category>
		<category><![CDATA[Poetry]]></category>

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		<description><![CDATA[2 a.m., guests dispersing, Beth &#038; I
creep to the wings of the American
Legion Hall, surveying our options
for late night snacking. There&#8217;s never
much time to eat during these things.
I&#8217;m skinny as a starlet with smaller
boobs, white dress slack across
my flat white stomach. We are
very young, we are very lovely.
Stealthy, we head through back
rooms to the kitchen. [...]]]></description>
			<content:encoded><![CDATA[<p>2 a.m., guests dispersing, Beth &#038; I<br />
creep to the wings of the American<br />
Legion Hall, surveying our options<br />
for late night snacking. There&#8217;s never<br />
much time to eat during these things.<br />
I&#8217;m skinny as a starlet with smaller<br />
boobs, white dress slack across<br />
my flat white stomach. We are<br />
very young, we are very lovely.<br />
Stealthy, we head through back<br />
rooms to the kitchen. Our grooms<br />
haven&#8217;t missed us &#038; we&#8217;re sure<br />
they wouldn&#8217;t mind our grabbing<br />
a treat. Standing at the counter,<br />
we cram our faces with left-over<br />
cake &#038; pages from the guest book<br />
Beth&#8217;s smuggled in her capacious<br />
cleavage. She eats names rapaciously<br />
as I look on: the Serial Prep School<br />
Expellee, the Aged Coquette, the Young<br />
Book Lover, &#038; Gulf War Part II Vets 1-3.<br />
She passes me a fistful: the 21-Year-Old<br />
Dead in a Month From Cancer,<br />
the Indian Dancer, the Victim Artist<br />
Cashing in on Her Rape. We split<br />
the Gay Actor in Town From LA<br />
&#038; the Bi College Roommate, plus<br />
Priestly Great-Uncles. Beth is just 22.<br />
I am 25. Together we&#8217;ve become old<br />
married ladies, though we still feel<br />
we haven&#8217;t left childhood behind.<br />
Between slices slathered with butter<br />
cream I describe: <em>in Renaissance Venice,<br />
adolescence lasted until you were 27.<br />
Isn&#8217;t that fine?</em> she replies, licking<br />
her slender fingers. <em>Now eat this<br />
next page &#038; wash it down with champagne.</em><br />
The Texan In-Laws, the Team of Croatians,<br />
the Divorced Brother-in-Law &#038; the Jewish<br />
Girlfriend. The Undercover Vegan.<br />
Little Sister Megan &#038; her Boyfriend<br />
Kevin. The Fleet of Nebraskans.<br />
We&#8217;re both so hungry we could go<br />
on all night biting. Catholic Aunts<br />
&#038; Assorted Rednecks. White Trash<br />
Relatives &#038; Bluestocking Scholars.<br />
The If I Had a Dollar For Every<br />
Timers. They taste like paper, like love,<br />
like fate. Fellow Grad School Rhymers,<br />
The Cousin We&#8217;re Sure Should&#8217;ve<br />
Become a Nun. Haven&#8217;t Seen You<br />
Since High School &#038; His Cute Date<br />
What&#8217;s Her Face. They can no more<br />
escape their futures than we can ours.<br />
We&#8217;re almost full. We&#8217;re almost done.<br />
The lights flip off &#038; on once, then twice.<br />
The adults are trying to tell us it&#8217;s time<br />
to be quiet. Time to move on.</p>
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