Featured Poet #3 (Double Feature)

POETRY:



Songbird Is Archie

My sister Karen wrote a book about women who marry men on death row in Texas. My ex-brother-in-law Archie is on death row in Abilene. Big bro Henry operates heavy machinery and he’s selling his used Lexus or coaching Lamaze, and he’ll throw in an experienced LoJack. Koji, my kyodai, is faithful to the Utter Lifestyle™. He embraces acerbic brink clubbing, beta-carotene, dubstep and drag racing bars or he practices tax law in Biloxi. He gave me an emu leather wallet to hold his business cards.

When we were twenty we made mad, mad love under the Monument to the Discovery of Ether as a Painkiller in Boston’s Public Garden, now my stepsister Kim is a half-elf bard and special-ed instructor in Milton. I saw her once in Harvard Square buying used books. I waved and shouted and ran but she ran faster.

My younger brother Joseph spends his nights in the blogosphere as my sister Jo and his days digging the Big Dig with Viper night vision goggles. My sage, older brother Ace goes by Lawrence and lives in Portland where he paints Catholic saints on elk horns. He’s betting the farm on Armageddon. Angie’s the sister who sold me up the River Charles when I was three. What a wisecracker. She supports our troops, chiefly her son—who travels the desert with a swatch of his Spiderman quilt glued to the skin over his ribs. I sent him a six-pack of beer filled with water, which is more valuable than beer where he toils. God bless you Angie’s son!

My real twin Lacy Jean was born with Nam June Paik-A, a lightly sautéed chemical imbalance found in TV dinner trays and the brains of the mice in my bedroom that provide me with the milk that keeps me barefoot and pervaded by something intangible. I like to put my ear up to my sister Dolly’s round belly and listen to her Ike kick the can. It turns out Dolly is my mother and the woman we called Ma who worked on the line with Dad was just a woman who worked on the line with Dad, like she always said, “Put on the wooden overcoat.” I like my lips near Doll-mother’s navel as I sing a ditty Arch wrote for our wee brother worm:

          When sorrows come, they come not single emissaries
          But in battalions killed in a bar when he was only three

Amen! My next-in-line Theodore collects stamps, spots hummingbirds and was recently punched in the face by a popular on-line film director. Now he’s on scholarship at Juilliard’s. Jane was the girl next door who was more like a sister to me than I’ll ever know. We ran away from home when we were twelve and hitched western winds with freaks and graces. We lived two floors up, in a guerilla skateboarding space, secreted above a teashop somewhere in Malibu. At night we fell asleep to the Pacific’s elliptic shenanigans.

When I was bad Dad told me I had siblings that I would never meet or greet unless I was good. Amenities!

My step-twin Lois sells cage-free eggs in Newport or she predicts starquakes. Lifetimes back we spent a buck naked weekend high on skunkweed in her sponsor’s lobster shack out on Cape Hessian Rat—and now she might be dead or worse, offering copter lessons, first ride free, in Syracuse and Archie wonders, Lois, he surely wonders what would happen if I showed up at your helipad with a bottle of Jose Cuervo and a stick-free omelet pan, ready for instruction?



Scare Quotes Reformation Scare Quotes

I have decided to call you Boy regardless. I am Girl. There were other Boys and Girls. We all had sex. Now there is Reformation.

The only solid reformation is what each begins and perfects on himself.

Reformation means no sex. Or a greatly reduced quantity of sex. And certainly sex with fewer bodies.

Reformation, like education, is a journey not a destination.

It means sex in fewer places—no more cars, movie theaters, peep show booths, hotel bathroom cubicles, untenanted bedrooms.

Reformation ends not in contemplation but in action.

It means sex in fewer orifices—no more anal sex, oral sex. No more Boy has sex with Girl while other Boy also has sex with Girl.

Thinking that morality is all about commandments is a relatively new way of thinking, since the Reformation.

Thou shalt not commit adultery. Thou shalt not covet. Is coveting as bad a sin as committing? How does one not covet? Shall we go into a corner now and not think of coveting? You first.

The Reformation did not directly touch the question of the true character of God’s church.

Prayer helps. So does Zen Buddhism. So does castration.

Rescuing from error and returning to a rightful course.

I’m jealous, Boy. I always wanted to be rescued.

Even to the reforming of reformation itself.

Kiss me hold me fuck me love me kiss us hold us fuck us love us love you kiss hold fuck.

But human nature is not to be totally changed even by such a force as the Reformation.

I never said I didn’t think you could do it. I wished you luck.



Bio: Peter Jay Shippy

Peter Jay Shippy’s most recent book is the verse novella How to Build the Ghost in Your Attic (Rose Metal Press). New poems have appeared in The American Poetry Review, Cue, and Shenandoah, among others. New work can also be found at: www.peterjayshippy.com.



Bio: Anna Evans

Anna Evans recently graduated from the MFA writing program at Bennington College, Vermont. Her poems have appeared or are forthcoming in The Harvard Review, Rattle, The Evansville Review and elsewhere. She is the editor of The Barefoot Muse.



Featured Poet #2

POETRY:



Outside Howell

Someone is living in the rusted
pickup parked on Burr Cliff.

A woman washes underwear
in the gas station sink, mouths

son of a bitch past her reflection
in pockmarked stall doors.

It’s beautiful, the way we hush
when blood presses through

seams, around our jewelry, hair.
In the asphalt lot out back, trees

seep into the sky like blue ink
on polyester. More of a bloom

than a rush. They don’t say
that a weed’s roots are the exact

mirror of its majestic branches.
When the truck stop follows you

onto the curb with a hard stare,
run. In another town, doused

with patchouli, the woman might
have a guitar and fringed jacket,

the back door of a fraternity late
past last call. She whips her hair

back, kicks gravel to the road.
The air is so thick it’s like tongues.



Toughskins

After their shift at the jalapeño popper factory,
two men pounded Schlitz at the dog track,
careened a Ford pickup off the cliff at Ludlow

before red sun started choking the road.
Tyson inherited his father’s leather belt, the one
that used to sway from a nail in the kitchen

on the days Pop brought home frozen pepper
stumps, daubs of spare cheese in bags.
Lila stretched the length of the sofa, flipped on

Steely Dan and a vanity mirror with pink
fluorescent panels. Where did they think they
were going in that crippled Ford? Tyson’s

father thrown to a mean elm, gasoline soaking
hornet nests and thistledown. Why not
another woman in the next town over, left

glancing at her watch and finishing
the gin all by herself, under a yellow afghan.
Tyson wanted to burn that tree down

though he had never seen it, his face in Lila’s
apron when the cherry-picker sped past.
As a young man with his Shop-Vac in hand,

he will enter the empty walk-in freezer,
a steel mausoleum, dropping to his knees to chip
three inches of ice from the concrete floor.



Bio: Mary Biddinger

Mary Biddinger is the author of Prairie Fever (Steel Toe Books, 2007), founding editor of Barn Owl Review, and the new editor of the Akron Series in Poetry. Poems have appeared or are forthcoming in The Eleventh Muse, The Iowa Review, The Laurel Review, Ninth Letter, and Ploughshares, among others.



Copyright Anti- and respective authors ©2007–2008